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Myths of Modernism
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“Trads are modernists and we’re the real Trads”: Dismantling the Traditonal Architecture Movement
Kevin Rogan
,
Joshua McWhirter
and
Michael Nicholas
Accra’s International Trade Fair Embodies Ghana’s Complex Legacy of Pan-African Modernism
Ruth-Anne Richardson
and
Łukasz Stanek
Italy’s “Countryside” Does Not Need Saving
Giulia De Cunto
and
Francesco Pasta
OMA Uses Brutalist Aesthetics to “Greywash” the Luxury High Rise
Eric Lawler
How The Urban Eclipsed The City: An Interview With Ross Exo Adams
Jake Soule
A Decade of Failed Architecture
Failed Architecture
The Far Right’s Obsession With Modern Architecture
Joe Mathieson
and
Tim Verlaan
From Mies to Bjarke: Ten Moments in the Manly History of the Architect’s Model
Antonia Weiss
and
Tim Verlaan
Dredging the Dutch City, Part 3: Utrecht
Charlie Clemoes
Memories, Steel and Concrete: The Wire’s Season 3 Opener
Charlie Clemoes
Reinier de Graaf: “Architecture is in a State of Denial”
Mark Minkjan
Is it Really Brutalist Architecture in Blade Runner 2049?
Charlie Clemoes
and
Alice Sweitzer
Ultraviolence in Representation: The Enduring Myth of the Thamesmead Estate
Inez de Coo
Singapore’s Metabolist Megastructures: the Asian City of Tomorrow?
Xinyu Guan
The Tragedy of De Certeau’s Godlike Voyeur ft. Jamie Foxx
Charlie Clemoes
A Failure Upon Completion, Heidelberg’s ‘Concrete Ghetto’ Still Stands 45 Years On
Monika Motylinska
Photo Essay: The Grey City – Aberdeen’s Mundane Side
Mark Minkjan
The Grenfell Disaster Shows That Architecture is Always Political
Gary Davies
Lost Forever: Amsterdam’s Shell Terrain Transformed
Sandra Guarda
‘Human, All Too Human’: a Critique on the Modulor
Federica Buzzi
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