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Memories, Steel and Concrete: The Wire’s Season 3 Opener
Charlie Clemoes
Reinier de Graaf: “Architecture is in a State of Denial”
Mark Minkjan
Is it Really Brutalist Architecture in Blade Runner 2049?
Charlie Clemoes
and
Alice Sweitzer
Ultraviolence in Representation: The Enduring Myth of the Thamesmead Estate
Inez de Coo
Singapore’s Metabolist Megastructures: the Asian City of Tomorrow?
Xinyu Guan
The Tragedy of De Certeau’s Godlike Voyeur ft. Jamie Foxx
Charlie Clemoes
A Failure Upon Completion, Heidelberg’s ‘Concrete Ghetto’ Still Stands 45 Years On
Monika Motylinska
Photo Essay: The Grey City – Aberdeen’s Mundane Side
Mark Minkjan
The Grenfell Disaster Shows That Architecture is Always Political
Gary Davies
Lost Forever: Amsterdam’s Shell Terrain Transformed
Sandra Guarda
‘Human, All Too Human’: a Critique on the Modulor
Federica Buzzi
How Zagreb’s Socialist Experiment Finally Matured Long After Socialism
Slaven Klicek
Berlin Marzahn: Social Housing With Marquis Hawkes
Mark Minkjan
The Battle Over What Istanbul’s Iconic Bridge Means
Asher Kohn
Komtar: Malaysia’s Monument to Failed Modernism
Soon-Tzu Speechley
The Forgotten Spaceships of the Po Valley
Martina Motta
and
Alessandro Benetti
The Future of Work: Amsterdam’s Vijzelbank
Mike Emmerik
Last Season: the Final Moments of the Four Seasons
Margaret McCormick
How Skopje’s Urban Makeover Alienated Locals
Rachel Ling
Dredging the Dutch City, Part 2: Bijlmer
Charlie Clemoes
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