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All Design Is Political, Not All Politics Is Design

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Hudson Yards Was Not Inevitable

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#07 Incompiuto: Italy’s Most Prominent Architectural Style

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#06 Architects in Calais: On Border Systems and Self-built Cities

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#05 London Undone: Gaika and Ash Sarkar Discuss the City’s Past, Present and Future

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A Conversation with Keller Easterling

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Memories, Steel and Concrete: The Wire’s Season 3 Opener

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Reinier de Graaf: “Architecture Is in a State of Denial”

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Hot Potato Heritage: Heidelberg’s Nazi Amphitheatre

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A Hilariously Embarrassing Housing Crisis

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A Failure Upon Completion, Heidelberg’s ‘Concrete Ghetto’ Still Stands 45 Years On

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Photo Essay: The Grey City – Aberdeen’s Mundane Side

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The Grenfell Disaster Shows that Architecture Is Always Political

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The Collective is Not a New Way of Living – It’s an Old One, Commodified

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The 5m² Maid’s Room: Lebanon’s Racist, Gendered Architecture

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Architecture After Excess: The Palaces of Saddam’s Baghdad

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The Battle Over What Istanbul’s Iconic Bridge Means

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Instagramming Architecture

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Robert Moses, Pig-Ears and the Camden Bench: How Architectural Hostility Became Transparent

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Spaces of Otherness: Ruins Through a Feminist Lens

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Komtar: Malaysia’s Monument to Failed Modernism

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The Tyranny of the Filter Bubble and the Future of Public Space

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What the City of the Future Looks Like in the Next Economy

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Going Embedded at the International Architecture Biennale Rotterdam 2016: The Next Economy

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Neoliberal Shock Therapy: The Post-Katrina Redevelopment of New Orleans

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Last Season: The Final Moments of the Four Seasons

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What this MVRDV Rendering Says About Architecture and the Media

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Lichtenberg, Berlin: A Sketch from the Ground

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Did Suburbia Fail?

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The Modern Ruins of Ipswich’s Waterfront

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Nothing is Permanent: The Imaginative Power of Ruins

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Belgrade Waterfront: An Investor’s Vision of National Significance

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Photo Essay: After Schengen

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Istanbul’s Fading Metabolism

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A Warning to Lisbon: The Fight for Meaning in Martim Moniz

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Insuring the City

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Photo Essay: Frameworks

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Notes on La Maddalena

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The Shame of Ljubljana: Plečnik’s Abandoned Stadium in Full Bloom

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Hungary’s Identity Crisis Fought in Concrete and Bronze

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Explore Everything: A Subversive Urban Critique

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Baffled by Belfast

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Ankara’s Iron Cage

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San Francisco’s NEMA: Parvenu Luxury, Surrealistically Marketed

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Porto’s Ruinous Circle

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Who Determines the Future of the Past?

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São Paulo’s Bridge That Widens Distances

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The Story Behind Failure: Copenhagen’s Business District Ørestad

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Neighbourhood Forums as Mediums of Direct Democracy in Istanbul

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What’s Happening in Istanbul? A Prologue

Merve Bedir Gezi

Is Failure Central to the Architectural Profession?

Failure, Narrative, Politics & Architecture

Towards a Design-City (Post-Design-Capital)

Bijlmer: a Reputation Blown to Smithereens?

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The Rebuilding of a ‘Hornet’s Nest’ in Kaliningrad

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FA Workshop: Sofia’s National Palace of Culture

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Squatter Families in East Jerusalem

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Nottingham: ‘Early Martyr of Highway Engineering’

Nottigham: Lenton flats

Wouter Vanstiphout on Architecture and Politics

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How Business Shapes Our Cities

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Owen Hatherley in Defense of Post-War Planning

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Failed Architecture #05: Riots and Architecture

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Failed Architecture #03: Failure as a Matter of Politics

Failed Architecture #02: Taste and Modernist Architecture

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Failed Architecture #01: Preservation as a Matter of Urgency

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The Nazis and the US May Be Gone But the Devil Remains

Teufelsberg, 2009
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